"Since the term Pan-Africanism was coined around 1900, the movement's promise has been to foster liberation and solidarity for Black peoples worldwide. Focusing on its cultural expression, this book represents nearly two hundred artists in a rich selection of the visual, sonic, and other creative forms that have emerged throughout Pan-Africanism's evolution. Reflecting the movement's ideals of diversity and dialogue as well as its aspirations to egalitarianism, essays from more than a dozen scholars, artists, and practitioners speak to a range of themes and places while discussing works in all media made or circulated outside the infrastructure of fine art, including LP albums, illustrated magazines, and manifestos"--